Geometric Art Design
Geometric art design has been an essential aspect of the art world since the 20th century. Artists such as Kazimir Malevich and Piet Mondrian used geometric shapes to express philosophical and spiritual ideas, reshaping painting and sculpture. The movement grew in popularity alongside other avant-garde movements such as Cubism, Futurism, and Suprematism.
In contemporary practice, geometric art design has remained popular in visual and graphic design. Its style emphasizes purity in geometry and color, often using non-objective, non-representational forms to create an abstract design. Geometric art design can be seen in various mediums, including paintings, sculptures, digital art, and graphic design.
One of the most prominent features of the geometric art design is the use of simple, geometric shapes such as squares, triangles, circles, and rectangles. These shapes are often used to create patterns and repeating designs. Geometric art design also often features bold, contrasting colors that can develop a sense of movement or depth.
Some of the most fantastic geometric art designs include the works of Piet Mondrian, who used simple, rectangular shapes in primary colors to create his iconic compositions. Kazimir Malevich also used geometric shapes in his works, often creating compositions that were entirely abstract and devoid of any recognizable forms.
Geometric art design has also been influential in the world of graphic design. From logos and branding to packaging design and advertising, geometric shapes and patterns have created visually appealing and modern designs. Simple shapes and bold colors can help create a unique and recognizable design that stands out from the competition.
One of the benefits of geometric art design is that it can be adapted to suit various styles and tastes. From minimalist and modern techniques to more complex and intricate patterns, there is something for everyone in the world of the geometric art design.
- Albrecht Durer
Geometry is the foundation of all painting.